What is it about this book? (Not a YA novel, although I could easily see an interested teenager loving it.) I read some terrific review of it--probably this one from the
NYT, I'm not really sure. But I KNEW I had to read it. I bought it in hardcover--even though I usually wait for the paperback version--and then it sat on my shelf for far too long. Maybe I thought it would be...difficult?
Well, stupid, stupid, stupid me. This book is so entertaining, so thought-provoking and erudite, so laugh-out-loud funny, it may make the list of my top 25 favorite books for our family list of our top 100 books. (How do I link from my October 8 post?)
Our heroine, Jennet Stearne, is the daughter of a professional witchfinder, living in 17th century England. But when her beloved Aunt Isobel is burnt at the stake for witchcraft, Jennet makes it her life's mission to overturn the Parlimentary Witchcraft Act. The overlying theme of this book is about the battle between scientific reason and the irrational zealotry of some religious fanatics (whew--thank god we don't have to deal with that anymore, right-ha), but it's also an adventure. Jennet travels from England to the colonies, where she is eventually adopted by a Native American tribe, returned to "civilization", falls in love with Ben Franklin, is shipwrecked on a Caribbean island, returns to the Colonies...well you get my drift. Along the way she meets Robert Hooke, masquerading as Isaac Newton, and later, Newton himself.
The really inventive thing about the book is that it is narrated by another book: Newton's
Philosophiae Naturalis Principia Mathematica, which speaks from a modern POV. Our adventure begins: "May I speak candidly, fleshling, one rational creatue to another, myself a book and you a reader?" Books, we are to understand, are imbued with thoughts and personalities, souls and desires. (This, I think, is what bibliophiles like me have always believed, more or less).
Our story switches from third-person accounts of Jennet's travails to
Principia's first person, often witty commentaries with a hourglass-shaped typographical conceit. Here's a transition I especially like (I can't duplicate the hourglass shape, you'll just have to imagine it converging to and expanding from the ellipses):
"Contemporary physicists speak of a GUT, a Grand Unified Theory. They seek TOE, a Theory of Everything. And I suspect that one day, through some felicitous convergence of experiment and serendipity, quarreling and collaboration, they'll get one. And then they do, I hop they'll remember that the quest began not with Einstein or Heisenberg, not with Max Planck or Enrico Fermi, not with Niels Bohr or John Wheeler or Stephen Hawking, but with the great Sir Isaac...Newton...did not precisely resemble the engraving that graced the English-language edition of the
Principia Mathematica: such was Jennet's impression when, thirty-five years after her failed mission to Trinity College, she finally stood before the octogenarian geometer in his carriage-house, where she was supervising a servant's frantic efforts to hitch two horses to a coach. (p. 297)
Man, I loved this book. Smart, funny, inventive. Elements of history, adventure, romance, science. What's not to like? I only wish I'd written it myself.